ArchivesSpace Public Interface

Scope and Contents From the Collection:

Materials include records, notes, reports, photographs, and exhibition lists primarily related to the Alfred Stieglitz Collection, Fisk University, and Georgia O'Keeffe.

Scope and Contents From the Collection:

Materials include records, notes, reports, photographs, and exhibition lists primarily related to the Alfred Stieglitz Collection, Fisk University, and Georgia O'Keeffe.

Scope and Contents From the Collection:

Materials include records, notes, reports, photographs, and exhibition lists primarily related to the Alfred Stieglitz Collection, Fisk University, and Georgia O'Keeffe.

Scope and Contents From the Collection:

Materials include master checklists; exhibition design materials; installation images; and publications pertainting to exhibitions organized and hosted by Crystal Bridges Museum of American Art in 2023.

Scope and Contents From the Collection:

Collection includes models, notes, correspondence, sketches, photographs, and invoices primarily related to the construction of the Fly's Eye Dome designed by R. Buckminster Fuller.

Scope and Contents From the Collection:

Collection includes models, notes, correspondence, sketches, photographs, and invoices primarily related to the construction of the Fly's Eye Dome designed by R. Buckminster Fuller.

Scope and Contents From the Collection:

Collection includes models, notes, correspondence, sketches, photographs, and invoices primarily related to the construction of the Fly's Eye Dome designed by R. Buckminster Fuller.

Scope and Contents From the Collection:

Collection includes original architectural blueprints, photographs, and client correspondence between Frank Lloyd Wright and the Bachman-Wilson family.

Scope and Contents

Correspondence regarding funding for Hildreth Meière exhibition and monograph (1998); Hildreth Meière biography and list of works; faxes; FVOC notes; Hildreth Meière monography and exhibition project meeting notes; draft of letters to send to potential donors; Meière monograph proposal; projected budgets for Meière monograph and exhibition; Meière monograph and exhibition project schedule (1997-99)

Scope and Contents

Marerials include draft and final copies of Francis V. O'Connors essays published between 1963 and 1980; correspondence; newspaper clippings; research notes; and other publications. Files are organized by article title.

Scope and Contents The Major Murals of Hildreth Meière (VHS); Bill Rabinovitch c. 1993 (VHS); FVOC Lecture “Icons of Death” April 6, 1991, University of Texas Medical Branch at Gavelston / “Dying: On Whose Terms” Concern for Dying Workshop (VHS); Film reel: Pictures of U of Iowa in mid 1960s (maybe); Film reel: FVOC with Freeman; CD: Ibram Lassaw Works from 1927-2003: MUSMA-Museo della Scultura Contemporanea Matera, Italy (June 18-October 14, 2008); Painting the Town: The Illusionistic Murals of Richard Haas...

Scope and Contents Volumes 1 and 2 of Art USA NOW (1962); the Kansas Quarterly (Spring 1969); USA New Deal Art New Jersey; Art for the Millions (1973); A New Deal or Public Art: Murals from Federal Work Programs; copies of The WPA Era: Urban Views and Visions (1992); copies of WPA Graphics (1976); New Deal Art Projects: An Anthology of Memoirs (1972); Federal Arts Patronage, 1933-1943; Federal Support for the Visual Arts: The New Deal and Now (1969); Thomas Hart Benton: An American in Art (signed copy by...

Scope and Contents

Copies of books published by FVOC: Art for the Millions (1973); A New Deal or Public Art: Murals from Federal Work Programs; copies of The WPA Era: Urban Views and Visions (1992); copies of WPA Graphics (1976); New Deal Art Projects: An Anthology of Memoirs (1972); Federal Arts Patronage, 1933-1943; Federal Support for the Visual Arts: The New Deal and Now (1969)

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FVOC short biographies and copies of FVOC’s CV/resume; copies of reprinted essays, book chapters, and articles published by FVOC

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Materials include grant and fellowship application materials; correspondence; essays; articles; and finnancial documents pertaining to Francis V. O'Connor's grant and fellowship applications for the Mural in American project and other projects. Box may contain confidential materials.

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Lecture transcript; correspondence; exhibition checklist; drafts of lecture with revisions; news releases; invitations to lecture; FVOC research notes.

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Materials include lecture transcripts; notes; essays; articles; correspondence; student papers; student rosters; course materials; photogpraphs; mural diagrams; and newspaper clippings relating to Francis V. O'Connor's university and symposium lectures.

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Guidelines for FVOC’s seminar on the Mural in America as Public Art and Environment from Native American Times to Postmodernism, George Washington University (Fall 1993); FVOC biography; research resources; lists of mural sites in Washington; course schedules; research paper guidelines; maps of Washington DC murals; instructions for bibliographies of the American Mural; selected bibliography on murals; mural diagrams

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Correspondence between FVOC and the Library of Congress regarding bequeathing his papers and the Federick Nicklaus papers to the Library of Congress; FVOC notes; FVOC archives deposit and inventories of materials.

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Materials include essays; personal journals; articles; correspondence; lectures; newspaper clippings; invoices; copies of FVOC's resume/curriculum vitae; other writings pertaining to FVOC's personal research.

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Copies of essays, articles, chapters, and other publications by FVOC

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Checks paid to Francis V. O’Connor; correspondence between FVOC and Central Insurance Companies; Writings on Robert Barnum murals for the Central Insurance Companies by Francis V. O’Connor; copy of Central Insurance Companies office expansion and renovations project (2004)

Scope and Contents From the Collection:

Materials include master checklists; exhibition design materials; installation images; and publications pertainting to exhibitions organized and hosted by Crystal Bridges Museum of American Art in 2016.

Scope and Contents

Correspondence; photocopies of Melchers’s murals; pamphlets from Melchers retrospective exhibition (1990); writings on Gari Melchers murals

Scope and Contents From the Class:

Materials include master checklists; exhibition design materials; installation images; and publications pertainting to past exhibitions organized and hosted by Crystal Bridges Museum of American Art. Collections are arranged chronologically.